notes.husk.org. scribblings by Paul Mison.

2010-09-02

post/1052717894

photo 11:40:23
Dan Kitwood’s image of a chap in a lift at Lloyds, via Life, as seen at the Press Photographer’s Year exhibition at the National Theatre.

Dan Kitwood’s image of a chap in a lift at Lloyds, via Life, as seen at the Press Photographer’s Year exhibition at the National Theatre.

High Frequency Maps: A London Perspective

text 11:10:15

Human Transit has recently published a call for public transport systems to use frequency as a base for mapping, which I noticed from this post on Chicago (via mattb on the daily chump).

As a European and a Londoner, the first thing that strikes me is that, for a major city, Chicago has what seems a very poor transport network. The only line that can claim a wait of less than 7.5 minutes on weekdays is a 79th street bus. By contrast, the entire Tube network in London has typical expected waits of about three to eight minutes, dropping as low as almost one train a minute for busy lines at peak.

In fact, the Tube (and, from what I’ve seen, Berlin U-bahn and Paris Metro services) appears to have such little variation that it’s questionable whether such an approach makes any sense. The only thing I think tourists may gain from it is a sense that the Circle line is less frequent than the District and Metropolitan services that it shares tracks with; the deep tube lines would be much of a muchness.

That’s not to say that service variations don’t matter. There’s been a to-and-fro in the tube diagram design ever since it was invented, with dashed lines and, more recently, crosses indicating peak-only lines and interchanges. Currently the map has dispensed with the detail, relegating it to footnotes, but in-car diagrams on the Northern line (one of the most fiddly) do a good job of conveying the way interchanges at Kennington and to Mill Hill East work.

There might be more of a call for it on buses, but one of the most egregious failures noted in the original post (mixing night and day buses) hasn’t been done in London for years, as far as I know. There is a fair bit of variation between very high frequency buses (like the 38 and 73, which should be every minute or three) and those further out in the suburbs which are only every fifteen minutes. On the other hand, putting the entire London bus network on paper takes five maps, four of which are vast; there might not be the room to do it effectively.

One place where frequency is already indicated in London, though, is the Oyster Rail Services map (PDF). However, this used to be done nicely with thin lines for infrequent services and thicker ones for those with more than four trains per hour; now the dreaded cross marks those stations. Still, it does work. (I also recall seeing a map, perhaps by National Rail, that showed the number of trains per hour calling at each station; Clapham Junction and Vauxhall were both up in the 20s, if I’m remembering it right).

Having said all that, I’m still mildly tempted to do something with the idea for London. I can also see that it might well be necessary for US cities; can anyone make one for San Francisco, please?

2010-09-01

post/1047147707

video 11:05:28

“Top People”, a Rank newsreel about crane operators, complete with some gorgeous shots (like the woman looking out of her top-floor Golden Lane flat at a passing tower crane). (Again, via that Phil Gyford.)

post/1047139226

video 11:02:34

The BBC look at the development of The Barbican area in London and the future of housing and town planning.” Looking at London Wall (aka Route 11) as the 1960s start, complete with a mention of the highwalks. (via Phil Gyford)

2010-08-30

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photo 18:39:00
Poles 29, by Andreas Gefeller, via erasing.

Poles 29, by Andreas Gefeller, via erasing.

2010-08-29

post/1032968881

photo 22:14:00
Photographs by Wing Shya/Simon Birch (warning: both Flash) (via ffffound) (via ulle69 / Ulrik Hogrebe, who says to “distribute, copy, steal, reproduce or pass on anything on this site - just give credit where credit is due”, which is ironic, given the utter lack of credits on anything in his Tumblr) (credit via TinEye)

Photographs by Wing Shya/Simon Birch (warning: both Flash) (via ffffound) (via ulle69 / Ulrik Hogrebe, who says to “distribute, copy, steal, reproduce or pass on anything on this site - just give credit where credit is due”, which is ironic, given the utter lack of credits on anything in his Tumblr) (credit via TinEye)

post/1032560891

quote 20:45:33
“ I appreciate the idea of when you go someplace and it feels like a home away from home, but I don’t think it should be a home office away from home. ”
Caroline Bell of Café Grumpy, quoted in the New York Times article: The New Coffee Bars - Unplug, Drink Up.

2010-08-28

post/1024524357

quote 10:22:32
“ Over 90% of UK households already have digital television today, more than 70% already have broadband. In other words, they’re already living in a digital Britain yet their support for the licence fee is higher than it was in analogue households twenty-five years ago. The purists have spent a generation making the free-market case for abolishing the licence fee and the British public agrees with them less now than they did when they started. ”
More from BBC D-G Mark Thompson’s MacTaggart lecture (transcript at The Guardian)

post/1024508080

quote 10:15:00
“ Sky’s marketing budget is larger than the entire programme budget of ITV1. ”
Mark Thompson, BBC Director-General, during the MacTaggart lecture (transcript at The Guardian)

2010-08-27

post/1021331812

quote 21:34:00
“ male romantic status-anxiety is brought interestingly into parallel with Canada’s cultural cringe to the United States ”
Peter Bradshaw in his review of Scott Pilgrim Vs the World. Looks like you can always rely on the Guardian to bring out a previously hidden subtext.

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