2010-08-26
post/1015429450
quote 19:50:00
Black and white came out of Chicago. There wasn’t very much color really – it was gray, like the outskirts of London. Then you had this fantastic number of fire escapes, water towers, wires all over the place, bridges, elevated railroads going through the city. Looking up, there’d be patches of light, wonderful patterns. There was always a bleak white sky in Chicago, pollution, of course. There was no problem getting contrast. So using contrasting fine-grain film and developing it, and printing on contrasting paper, you got something that immediately had to be black and white. Chicago, the fantastic skyline, that absolutely triggered me off — and ended up as the book Fragments of a City.
Keld Helmer-Petersen, in an interview with Martin Parr.