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From a prepared Kodak DC215 1 megapixel digital camera.
’56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.’ — Hugh S. Manon and Daniel Temkin, Notes on Glitch (via)
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’56. What makes good glitch art good is that, amidst a seemingly endless flood...images,...
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