notes.husk.org. scribblings by Paul Mison.

2012-03-30

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photo 16:57:47
Phantoms over the three US-operated geodesic radomes at RAF Fylingdales (via). (More Fylingdales later, perhaps.)

Phantoms over the three US-operated geodesic radomes at RAF Fylingdales (via). (More Fylingdales later, perhaps.)

2012-03-29

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photo 20:51:17
An image taken with One Bit Camera, from their group Tumblr (which you can post to every time you take a picture).
(There’s probably something wrong with the fact that recreating something from the past makes me want to finally upgrade to iOS 5.) 

An image taken with One Bit Camera, from their group Tumblr (which you can post to every time you take a picture).

(There’s probably something wrong with the fact that recreating something from the past makes me want to finally upgrade to iOS 5.) 

2012-03-11

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photos 08:08:06

Photos from the Broadgate series, by Brian Griffin. (Previously.)

2012-02-01

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photo 06:45:05
Casio VL-1, 1980. Photograph by dontpanic on Wikipedia (via)

Casio VL-1, 1980. Photograph by dontpanic on Wikipedia (via)

2011-07-20

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photos 01:21:00

Three NASA posters from the 1980s, Going To Work In Space, from Danne and Blackburn at the AIGA Design Archives.

2011-06-06

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quote 12:32:06
“ At the time, the Docklands had a new light rail system called the DLR. It was different from the main line in many ways. To begin with, the DLR was automated. You paid a robot, and a robot transported you to your destination. It made perfect sense that the neoliberal paradise was serviced by robot labor—robots do not bitch and strike. One evening, while heading to my flat on the DLR, I listened to Armando’s “Land of Confusion,” the best acid track ever made. The moment: the automated music in my Sony-covered ears as the automated train flew above the construction sites of future capitalism. Some of the sites were huge and filled with lights. I was a spaceman looking into an imploding galaxy. ”
Charles Mudede, in I Was There When Acid House Hit London and This Is How It Felt in The Stranger, a Seattle newspaper. This is a really good article, and well worth reading- there are two or three other quoteworthy passages. (via mondoagogo.)

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quote 12:12:06
“ I suspected that drugs were needed to fully enjoy this music, because only drugs could make you forget how repetitive it was. ”
Charles Mudede, in I Was There When Acid House Hit London and This Is How It Felt in The Stranger, a Seattle newspaper. This is a really good article, and well worth reading- there are several other quoteworthy passages. (via mondoagago.)

2010-03-10

Attaining Hampstead

text 21:48:43

While researching the proper way SCREEN$ load on a Spectrum, I was distracted by somehow running across an old adventure game.

Hampstead was by Melbourne House, who put out a fair few classic text adventures in the 1980s. As the instructions put it:

Hampstead is a quest, but not for gold. The aim of it is to reach the
pinnacle of social status, and acquiring wealth is only one part of
the problem. If you wish to go up in the world you also have to gain
the admiration and respect of your fellow men, and there's more to
that than a fat bank balance.

There’s been a flickr of rediscovery in the past: Aleks Krotoski wrote about it in the Guardian Gamesblog in 2007, as did Anna Black earlier this year. Personally, I find it interesting for a few reasons. For one thing, it’s one of those games during the flowering of 8-bit home computers that tried to reflect everyday life, and perhaps even comment on them (as did Manic Miner and Skooldaze/Back to Skool). For another, there’s this comment in the Crash preview of the game:

It is different to most adventures, in that its purpose is to amuse people rather than provide a hard adventure. Indeed, the adventure is extremely simple, which the authors say is so that anyone can complete it, and so reap more enjoyment from it.

That’s a sentiment that’s getting traction again these days, at least amongst certain people I know. Perhaps I’ll even download the game and give it a go. After all, who doesn’t want a bit of Hampstead once in a while?

2009-07-25

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video 12:59:19

Little Boots new single, Remedy, from a Newsbeat interview.

More 1980s video effects homage (see: La Roux), plus Tenori-on, so it gets my vote. It’s certainly a lot better than the horrific New In Town promo (“hi, I’m new to LA, let me wander around while you look poor and dance around me!”), despite one jarring moment when you realise it’s doing a bit of lyrical literalism.

In other news: since when did the BBC offer embedding? They have a nice terms & conditions page which helpfully points out that viewers not in the UK might not get to see this. Also, maybe it’ll randomly stop working. Ho hum.

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