2012-02-09
post/17292394841
video 00:59:07
Tim Bowditch: “This time-lapse was produced to document Simon Terrill’s Balfron Project.”
2012-01-24
post/16425008238
quote 21:48:05
We have to stop building cities as if everyone is 30 years-old and athletic.
2012-01-19
post/16119957832
photo 16:59:05
Stacking mugs showing Richard Rogers’ architectural drawing of Lloyd’s London (2011).
The single mug is £14.95. The stacking mugs appear not to be for sale any more.
(via less-ismore)
2012-01-05
post/15368784036
quote 23:54:06
Architecture devolved into a battle between two fantasias—nostalgia for the 19th and 18th centuries versus nostalgia for the mid-20th-century avant-garde.
Kurt Anderson: You Say You Want a Devolution? in Vanity Fair.
2012-01-03
post/15252692781
quote 20:15:05
The appearance of the building has created what Travers calls a “new mental geography” of the capital. For example the presence of the Shard makes suddenly obvious what every London taxi driver already knew: that the quickest way from Westminster to the City is via the South Bank.
Tony Travers, director of the Greater London Group at the LSE, quoted in Robert Booth’s good overview of London’s Shard: a ‘tower of power and riches’ looking down on poverty in The Guardian. (Also covered: its role as a “soft power” play by the Qataris.)
2011-08-07
post/8584657661
quote 04:21:48
Once you understand that there’s an architectural politics baked into technology design, it’s easy to look at the protocols and interfaces and say: I can see what will happen to the people that use this, and therefore the world they inhabit.
Quinn Norton: Ways in which I am old.
2011-08-02
post/8365926639
photo 03:02:05
Mmm Skyscraper, I love you • 24gotham:
Another shot of the Lever House I featured yesterday. This shot standing in the courtyard looking up with a 12mm.
Photograph: Devyn Caldwell.
2011-06-24
post/6874993875
photo 20:43:22
From Stylepark’s article, Anyone who can build with peas and toothpicks must be a genius, The Dymaxion Car in front of 30 St Mary Axe in London. Photograph © Gregory Gibbons.




