notes.husk.org. scribblings by Paul Mison.

2012-02-03

post/16996901856

photo 23:17:06
New York, in New York. Taken from a weeknote by Casey A. Gollan.

New York, in New York. Taken from a weeknote by Casey A. Gollan.

2011-05-11

post/5382349115

photo 04:51:05
Will you still love me… by John Girt, from the 1650 Gallery’s exhibition, On The Road.

Will you still love me… by John Girt, from the 1650 Gallery’s exhibition, On The Road.

2010-12-07

post/2128983333

photo 04:29:55
bpeters:

U.S. 97, South of Klamath Falls, Oregon. July 21, 1973
This photograph by Stephen Shore that is part of the series Uncommon Places is currently on view at the exhibition Der Rote Bulli in Düsseldorf. The image on the billboard could have been a painting by Ed Ruscha.

Instantly collected for my billboards tag.

bpeters:

U.S. 97, South of Klamath Falls, Oregon. July 21, 1973

This photograph by Stephen Shore that is part of the series Uncommon Places is currently on view at the exhibition Der Rote Bulli in Düsseldorf. The image on the billboard could have been a painting by Ed Ruscha.

Instantly collected for my billboards tag.

2010-11-03

post/1471515273

photo 16:48:00
A Billboard That Advertises Nothing But Clean Air, as covered at co.design:

Non-Sign II is the brainchild of the Seattle art and architecture firm Lead Pencil Studio. Even crazier: It was commissioned by the federal government, which usually regards high art the way one would a dead rat.
Lead Pencil Studio’s Daniel Mihalyo sheds light on the concept:
Borrowing the effectiveness of billboards to redirect attention away from the landscape… this permanently open aperture between nations works to frame nothing more than a clear view of the changing atmospheric conditions beyond.

See also; see also; see also.

A Billboard That Advertises Nothing But Clean Air, as covered at co.design:

Non-Sign II is the brainchild of the Seattle art and architecture firm Lead Pencil Studio. Even crazier: It was commissioned by the federal government, which usually regards high art the way one would a dead rat.

Lead Pencil Studio’s Daniel Mihalyo sheds light on the concept:

Borrowing the effectiveness of billboards to redirect attention away from the landscape… this permanently open aperture between nations works to frame nothing more than a clear view of the changing atmospheric conditions beyond.

See also; see alsosee also.

post/1471489280

photo 16:43:00
Sold (by Paul Mison)
A billboard on Folsom Street, San Francisco.

Sold (by Paul Mison)

A billboard on Folsom Street, San Francisco.

2010-06-10

2009-11-08

post/236891470

photo 10:44:00
From synecdoche on Flickr, an art project in Houston:
Using 13 billboards along the city´s downtown freeways, Olivier will replace the usual advertisements with images of the urban landscape that would be visible if the billboard did not exist - the sky, trees, and buildings obstructed by the ads will now be “revealed.”

Having been to the southern US, I can certainly recognise the pattern synecdoche describes in the description of another photo of a billboard from the project:
Houston is a city of billboards and big signs, sprouting everywhere above the highways in gleaming, glaring, blinking, clashing profusion. A billboardless vista is rare; in traffic-dense commuter areas there are so many that they cancel each other out, becoming visual background noise. Even on a relatively deserted stretch of highway there will be at least one or two every half-mile or so.
That makes this project, time-limited though it is, even more wonderful.

From synecdoche on Flickr, an art project in Houston:

Using 13 billboards along the city´s downtown freeways, Olivier will replace the usual advertisements with images of the urban landscape that would be visible if the billboard did not exist - the sky, trees, and buildings obstructed by the ads will now be “revealed.”

Having been to the southern US, I can certainly recognise the pattern synecdoche describes in the description of another photo of a billboard from the project:

Houston is a city of billboards and big signs, sprouting everywhere above the highways in gleaming, glaring, blinking, clashing profusion. A billboardless vista is rare; in traffic-dense commuter areas there are so many that they cancel each other out, becoming visual background noise. Even on a relatively deserted stretch of highway there will be at least one or two every half-mile or so.

That makes this project, time-limited though it is, even more wonderful.

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