notes.husk.org. scribblings by Paul Mison.

2012-04-25

post/21807307133

photo 23:21:15
What Happens When… You Throw Things Away (via)

What Happens When… You Throw Things Away (via)

2012-03-27

post/20009217267

photo 15:51:00
Pan Am’s World, calsidyrose:

Back Cover of the Pan An Complete Reference Guide to France.

Azimuthal polar projection, cropped and rotated. See also.

Pan Am’s World, calsidyrose:

Back Cover of the Pan An Complete Reference Guide to France.

Azimuthal polar projection, cropped and rotated. See also.

2012-03-20

2012-03-19

post/19598765165

photo 23:59:06
Power To Fly, posted by Things Magazine.

2012-03-15

post/19348203240

photos 16:53:21

Occasionally people wonder where I got my usual online nickname from. The answer: these. (via)

2012-03-14

post/19277423705

photo 04:33:05
The Square Root Of Sex, by Ted Mark. (via)
(I was a bit surprised at the popularity of the cover of I Was A Teeny-Bopper For The CIA, so when I ran across this I thought I’d give it a repost. Sadly, the cover of The Man From O.R.G.Y. isn’t quite in the same style.)

The Square Root Of Sex, by Ted Mark. (via)

(I was a bit surprised at the popularity of the cover of I Was A Teeny-Bopper For The CIA, so when I ran across this I thought I’d give it a repost. Sadly, the cover of The Man From O.R.G.Y. isn’t quite in the same style.)

(via uss-enterprise-deactivated20120)

2012-03-12

post/19179275693

photo 14:20:06
looking at london illustrated map, via maraid on Flickr.
I love that the illustration contains the cover (and that you can make out the tube map on the back). Somehow I doubt that Piccadilly Circus was ever that bright, mind.

looking at london illustrated map, via maraid on Flickr.

I love that the illustration contains the cover (and that you can make out the tube map on the back). Somehow I doubt that Piccadilly Circus was ever that bright, mind.

2012-03-07

2012-02-24

post/18213390859

photo 23:24:06
More from Ptak Science Books: Fantastic Cover Art: a Picture of the Future of Television:
This image is that of the television antenna of station WNBT and for many years it sat on top of the Empire State Building. WNBT was the flagship station of NBC, which was owned by RCA (Radio Corporation of America, 1919-1986) which (according to its name) was really the first national broadcasting radio network in the United States, and which (as experimental station W2XBS) became the first to broadcast a television picture (of a papier mache Felix the Cat) in 1928. This fantastic cover art for a 1947 promotional for the company pictured the famous antenna, the great visual of the company’s external hardware, right there on top of the world’s tallest building.

More from Ptak Science BooksFantastic Cover Art: a Picture of the Future of Television:

This image is that of the television antenna of station WNBT and for many years it sat on top of the Empire State Building. WNBT was the flagship station of NBC, which was owned by RCA (Radio Corporation of America, 1919-1986) which (according to its name) was really the first national broadcasting radio network in the United States, and which (as experimental station W2XBS) became the first to broadcast a television picture (of a papier mache Felix the Cat) in 1928. This fantastic cover art for a 1947 promotional for the company pictured the famous antenna, the great visual of the company’s external hardware, right there on top of the world’s tallest building.

2012-01-17

post/16012320171

photo 17:25:05
british rail design cover by smallritual on Flickr:
The [Danish] design of this book looks like 2006, in British terms, rather than 1986. the 1980s were not a good period for swiss-style modernism in Britain. The book celebrates the British Rail corporate identity at a time when it seemed outdated in Britain - a case of ‘you don’t know what you’ve got ‘til it’s gone’. The British have never been very good at sticking to rational design systems - they get distracted by romanticism and nostalgia.
(Edited for capitalisation.)

british rail design cover by smallritual on Flickr:

The [Danish] design of this book looks like 2006, in British terms, rather than 1986. the 1980s were not a good period for swiss-style modernism in Britain. The book celebrates the British Rail corporate identity at a time when it seemed outdated in Britain - a case of ‘you don’t know what you’ve got ‘til it’s gone’. The British have never been very good at sticking to rational design systems - they get distracted by romanticism and nostalgia.

(Edited for capitalisation.)

what

more

pages