notes.husk.org. scribblings by Paul Mison.

2012-01-28

post/16616103860

photo 03:40:59
berkeley nuclear power station by smallritual on Flickr.Apparently, “only the sealed reactor core [is] left now”.

berkeley nuclear power station by smallritual on Flickr.

Apparently, “only the sealed reactor core [is] left now”.

2012-01-20

post/16177682424

photo 17:55:06
Soap Bubbles, New York, 1945, by Berenice Abbott.

Soap Bubbles, New York, 1945, by Berenice Abbott.

2012-01-18

post/16034141153

photo 00:45:58
iamdanw:

Great Britain. Her natural and industrial resources (by Boston Public Library)

[this is good]

iamdanw:

Great Britain. Her natural and industrial resources (by Boston Public Library)

[this is good]

2012-01-17

post/16012452721

photo 17:30:05
HST approach by smallritual on Flickr.
What more to say?

HST approach by smallritual on Flickr.

What more to say?

post/16012376473

photo 17:25:05
station timetable by smallritual on Flickr.
Steve Collins (who goes by smallritual online) has been posting scans of the nearly impossible to find Danish Design Council book on British Rail’s design and identity. As he writes of the pocket timetables, “In a sense, the invisibility of this kind of design is the point.” Certainly I look at that now as almost a work of art, whereas for most of my life it was just background.

station timetable by smallritual on Flickr.

Steve Collins (who goes by smallritual online) has been posting scans of the nearly impossible to find Danish Design Council book on British Rail’s design and identity. As he writes of the pocket timetables, “In a sense, the invisibility of this kind of design is the point.” Certainly I look at that now as almost a work of art, whereas for most of my life it was just background.

post/16012320171

photo 17:25:05
british rail design cover by smallritual on Flickr:
The [Danish] design of this book looks like 2006, in British terms, rather than 1986. the 1980s were not a good period for swiss-style modernism in Britain. The book celebrates the British Rail corporate identity at a time when it seemed outdated in Britain - a case of ‘you don’t know what you’ve got ‘til it’s gone’. The British have never been very good at sticking to rational design systems - they get distracted by romanticism and nostalgia.
(Edited for capitalisation.)

british rail design cover by smallritual on Flickr:

The [Danish] design of this book looks like 2006, in British terms, rather than 1986. the 1980s were not a good period for swiss-style modernism in Britain. The book celebrates the British Rail corporate identity at a time when it seemed outdated in Britain - a case of ‘you don’t know what you’ve got ‘til it’s gone’. The British have never been very good at sticking to rational design systems - they get distracted by romanticism and nostalgia.

(Edited for capitalisation.)

post/16012412847

photo 17:25:00
HST power cab section by smallritual on Flickr.
Another from Steve Collins, one of a few cross-sections and elevations he’s posted. I have a particular fondness for the InterCity 125 cab shape. It feels like future.

HST power cab section by smallritual on Flickr.

Another from Steve Collins, one of a few cross-sections and elevations he’s posted. I have a particular fondness for the InterCity 125 cab shape. It feels like future.

2012-01-16

post/15950255717

photo 16:23:53
guardianFront by magCulture on Flickr.I’m hardly the first person to remark on the Guardian’s front cover reworking, or the amusing juxtaposition (someone give those editors a bonus), but I thought I’d like to record it anyway.

guardianFront by magCulture on Flickr.

I’m hardly the first person to remark on the Guardian’s front cover reworking, or the amusing juxtaposition (someone give those editors a bonus), but I thought I’d like to record it anyway.

2012-01-04

post/15309479657

quote 21:45:27
“ We did a lot of stuff wrong during my time at Flickr but if I had to highlight one thing we fucked up it was somehow creating an environment where people started to believe that their photos were not good enough for Flickr. I mean, really, how did we ever let that happen? I was speechless the first time a friend said that me and for the record: It was never part of the plan. How did we ever let people think that there is one measure of photography? How did we let people imagine that a medium which gave the world both Ansel Adams and Garry Winogrand (a photographer who died with a reported 10, 000 rolls of undeveloped film in his studio and who said that every time you take a picture you are hopefully risking failure) and everyone else in between was about any other than the joy and the discovery of the possible, foofy equipment and technique and measures of “good”-iness be damned? ”
Aaron Straup Cope, in Anti-aliasing. Posted as a response to the quote Dan W pulled from Dan Catt’s post about his first Instagram Christmas: “Why I never got into flickr: it’s for ‘proper’ photographers only and my friends weren’t on there.”

2012-01-03

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