quote 14:52:05 The square is a tough format to shoot in. It’s antithetical to photographic traditions; it’s neither portrait nor landscape. It is perfectly suited to her work. The old fashioned camera equipment — she loved all things vintage — was probably appealing for that reason, too.
Curator Corey Keller, interviewed in The Believer Logger about the largest-ever retrospective of the work of Francesca Woodman, as the exhibition arrives at the Guggenheim.