notes.husk.org. scribblings by Paul Mison.

2012-02-07

post/17218625159

photo 19:12:06
The Chromatic London Underground Map by fdansv on Flickr:

The purpose of this map is chiefly aesthethic, as well as an attempt of providing an alternative visualization of our beloved network.
Buy your A2 numbered copy for £14.99 here or see the original post in my blog here.

The Chromatic London Underground Map by fdansv on Flickr:

The purpose of this map is chiefly aesthethic, as well as an attempt of providing an alternative visualization of our beloved network.

Buy your A2 numbered copy for £14.99 here or see the original post in my blog here.

post/17216659733

photo 18:18:06
Marimekko’s (interactive, if you visit the real thing) map of Helsinki (via)

Marimekko’s (interactive, if you visit the real thing) map of Helsinki (via)

2012-02-06

post/17168146646

photo 21:03:31
Blocky Earth’s rendition of San Francisco. This is looking westwards from the Bay, just south east of Rincon Hill.
Blocky Earth is a Chrome experiment by Jaume Sánchez (via). Bonus points for the screenshot functionality.

Blocky Earth’s rendition of San Francisco. This is looking westwards from the Bay, just south east of Rincon Hill.

Blocky Earth is a Chrome experiment by Jaume Sánchez (via). Bonus points for the screenshot functionality.

2012-02-03

post/16996901856

photo 23:17:06
New York, in New York. Taken from a weeknote by Casey A. Gollan.

New York, in New York. Taken from a weeknote by Casey A. Gollan.

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photo 22:10:00
Frameweb:
Main Tunnel on the Hida Tunnel. Taken from a truck for high-lift work, looking down from the tunnel ceiling before opening to the public.
From the new iPad application Tunnel for iPad ($10), with images and captions by engineering photographer Hoichi Nishiyama. (via)

Frameweb:

Main Tunnel on the Hida Tunnel. Taken from a truck for high-lift work, looking down from the tunnel ceiling before opening to the public.

From the new iPad application Tunnel for iPad ($10), with images and captions by engineering photographer Hoichi Nishiyama. (via)

post/16981812923

photo 18:02:52
A selection of the strings available as Dashboard highlights (only $1 each!) in Tumblr.

A selection of the strings available as Dashboard highlights (only $1 each!) in Tumblr.

2012-02-02

post/16938394760

photo 22:07:05
courtenaybird:

Fifty years ago, the four most valuable U.S. companies employed an average of 430,000 people with an average market cap of $180 billion. This year, the four largest U.S. companies employ an average 120,000 people with an average market cap of $334 billion. The titans of 2011 have twice the the value of their 1964 counterparts with a quarter of the employees.
(via The Atlantic)

I’m not sure why people think the tech industry is a panacea for job creation. Wealth creation? Perhaps. Jobs? Not so much.

courtenaybird:

Fifty years ago, the four most valuable U.S. companies employed an average of 430,000 people with an average market cap of $180 billion. This year, the four largest U.S. companies employ an average 120,000 people with an average market cap of $334 billion. The titans of 2011 have twice the the value of their 1964 counterparts with a quarter of the employees.

(via The Atlantic)

I’m not sure why people think the tech industry is a panacea for job creation. Wealth creation? Perhaps. Jobs? Not so much.

post/16936684133

photo 21:38:00
Neil Freeman: All of the active three-letter airport codes in alphabetical order:

Part of A series of Flight Postcards, a set of postcards curated by Leah Beeferman and published by Projectile Press.

Neil FreemanAll of the active three-letter airport codes in alphabetical order:

Part of A series of Flight Postcards, a set of postcards curated by Leah Beeferman and published by Projectile Press.

post/16935766951

photo 21:23:05
Image by Neil Freeman for a participatory Solar Alignment Walk.

Image by Neil Freeman for a participatory Solar Alignment Walk.

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photo 20:12:05
yearoftheglitch:

012 of 366
From a prepared Kodak DC215 1 megapixel digital camera.

’56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.’ — Hugh S. Manon and Daniel Temkin, Notes on Glitch (via)

yearoftheglitch:

012 of 366

From a prepared Kodak DC215 1 megapixel digital camera.

’56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.’ — Hugh S. Manon and Daniel TemkinNotes on Glitch (via)

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