notes.husk.org. scribblings by Paul Mison.

2012-03-20

Liquid ASCII and sharing code

text 09:54:05

Aaron Cohen, posting at jkottke:

It’s difficult to describe nkwiatek.com, but I will try to use my words. When you mouse over Nick Kwiatek’s site, red ASCII characters explode across your screen like those cheesy Javascript mouse followers with an effect that is as far away from those cheesy Javascript mouse followers as can be. It’s really pretty, and it makes me think of a murmuration of starlings.

What’s really nice about this is the discussion on Hacker News, including a back and forth between Kwiatek and Oliver Hunt, who originally wrote a Javascript implementation of a C paper about some similar effects in Alias|Wavefront. Hurrah for collaboration and shared algorithms.

2010-12-23

post/2436567996

quote 22:39:00
“ A pre-flight checklist before you hit the “Tweet” button: … Contains a URL. Tweets should be clickable, leading to an image, video, or page describing more. ”

Twitter co-founder Jack Dorsey’s “before you tweet” checklist (via intercourse with biscuits).

Oh dear. I mean, I know Twitter is many things to many people, and for a while it’s been more about distribution than ambient intimacy, but really- should people be advising that every post should be clickable? It’s especially galling since Twitter doesn’t even have room for full URLs (or a mechanism for including them in metadata as opposed to taking up space in the post).

Perhaps if I look at that as advice for corporations, as opposed to people, it’s less vexing. (Except, of course, for the fact that I care about people, not companies. Ah well.)

2009-08-18

2009-08-13

2009-07-24

Movies In Frames

text 11:12:00

moviesinframes:

The Terminator, 1984 (dir. James Cameron). By rizomer.

Oh, come on. This isn’t even chronological order, damnit.

I know I’m biased (I did my own version a while ago), but a lot of movies in frames are pretty meh. There’s no theme, or narrative: they just feel like random shots from the film, picked because they mean something to the author, but they never manage to convey what that something is.

That’s not to say they’re all rubbish; on the current front page, the Reefer Madness frames are very well done. More like that, please.

[Edit] Tom points out that the first frame might actually be from the “in the future” sequence at the beginning. If so, then I’m wrong. (I’ll admit the colours work really well in rizomer’s version, too.)

2009-06-23

2009-04-10

2009-04-03

2009-02-24

2009-02-22

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