notes.husk.org. scribblings by Paul Mison.

2013-03-25

post/46276356887

photo 20:46:00
Somehow, I’d never noticed this:

The Panavision logo incorporates three aspect ratios into its design—1.33:1 (TV, standard “Academy” ratio) on the inside, 1.85:1 (standard U.S. widescreen) in the middle, and 2.35/2.40:1 (modern 35mm anamorphic) on the outside.

It was designed by an mechanical designer at the company, “Tak” Miyagishima:

Tak’s legacy is permanently imprinted on the company as the designer of the famous Panavision logo.

Somehow, I’d never noticed this:

The Panavision logo incorporates three aspect ratios into its design—1.33:1 (TV, standard “Academy” ratio) on the inside, 1.85:1 (standard U.S. widescreen) in the middle, and 2.35/2.40:1 (modern 35mm anamorphic) on the outside.

It was designed by an mechanical designer at the company, “Tak” Miyagishima:

Tak’s legacy is permanently imprinted on the company as the designer of the famous Panavision logo.

The Colour Of Space

chat 00:53:12
  • Fletcher: And this color, red, it doesn’t make much sense to me.
  • Low: What would be better?
  • Fletcher: Blue makes more sense… Space is blue.
  • Low: No Dr. Fletcher, Space is black!

2012-09-25

post/32253068886

quote 08:07:48
“ It was a big change, people were using Helvetica, moving away from traditional faces. CN seemed to sum it all up. It was clean, but if you weren’t careful, boring. It took the life and soul out of things. In retrospect there was too much but at the time everyone wanted to use it, it was exciting. ”
Gerry Barney, creator of the British Rail double arrows, talking type and branding with Creative Review in their article on British Rail’s 1964 logo.

2012-08-01

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photo 07:58:09
The official logo of the 30th Olympiad, London, 2012, designed by Wolff Olins.

The official logo of the 30th Olympiad, London, 2012, designed by Wolff Olins.

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photo 05:03:14
The New York Times logo. Quite a lot nicer than NBC’s, and a good nod to the Underground roundel (but did they get permission?)

The New York Times logo. Quite a lot nicer than NBC’s, and a good nod to the Underground roundel (but did they get permission?)

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photo 04:06:00
Why is NBC’s Olympic logo so terrible? I suppose it gives you fair warning of the awfulness of their coverage.

Why is NBC’s Olympic logo so terrible? I suppose it gives you fair warning of the awfulness of their coverage.

2012-05-04

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photo 21:43:14
The top ten container shipping companies by TEU equivalents, in order. Container images taken from Eiji Hoshiai’s forty-foot dry freight page. Full size image.

The top ten container shipping companies by TEU equivalents, in order. Container images taken from Eiji Hoshiai’s forty-foot dry freight page. Full size image.

2012-04-30

post/22116806016

photo 11:52:16
Red Light Runner:

These unique Apple logo shoes feature the vintage Apple logo embroidered into the tongue and sides of the shoes. Distributed to Apple employees in the 90’s [sic]

Found in the depths of my old bookmarks, revived for your viewing pleasure.

Red Light Runner:

These unique Apple logo shoes feature the vintage Apple logo embroidered into the tongue and sides of the shoes. Distributed to Apple employees in the 90’s [sic]

Found in the depths of my old bookmarks, revived for your viewing pleasure.

2012-04-06

post/20600752848

photo 19:24:05
Citymaps. Fast Co Design:

CityMaps is a view of New York City, Austin, and San Francisco through its logos alone. Rather than using satellite images, Street View, or legends for schools and restaurants, the map uses branding in its purest form — along with offers for all sorts of corresponding coupons — to help you discover somewhere you’d like to go.

(via)

Citymaps. Fast Co Design:

CityMaps is a view of New York City, Austin, and San Francisco through its logos alone. Rather than using satellite images, Street View, or legends for schools and restaurants, the map uses branding in its purest form — along with offers for all sorts of corresponding coupons — to help you discover somewhere you’d like to go.

(via)

2012-03-23

post/19775082169

photo 07:13:05
 Pentagram: New Work: Grand Central:
The new logo takes as its inspiration one of the landmark building’s most well known icons—the century-old Tiffany clock atop the information booth in the center of the Main Concourse. The stylized version of the clock, drawn by Joe Marianek, has its hands positioned at 7:13, or 19:13 in trainmaster’s time, a nod to the opening year.
I’m glad I’m not the only person who makes subtle references using time.

PentagramNew Work: Grand Central:

The new logo takes as its inspiration one of the landmark building’s most well known icons—the century-old Tiffany clock atop the information booth in the center of the Main Concourse. The stylized version of the clock, drawn by Joe Marianek, has its hands positioned at 7:13, or 19:13 in trainmaster’s time, a nod to the opening year.

I’m glad I’m not the only person who makes subtle references using time.

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