notes.husk.org. scribblings by Paul Mison.

2012-02-02

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photo 22:07:05
courtenaybird:

Fifty years ago, the four most valuable U.S. companies employed an average of 430,000 people with an average market cap of $180 billion. This year, the four largest U.S. companies employ an average 120,000 people with an average market cap of $334 billion. The titans of 2011 have twice the the value of their 1964 counterparts with a quarter of the employees.
(via The Atlantic)

I’m not sure why people think the tech industry is a panacea for job creation. Wealth creation? Perhaps. Jobs? Not so much.

courtenaybird:

Fifty years ago, the four most valuable U.S. companies employed an average of 430,000 people with an average market cap of $180 billion. This year, the four largest U.S. companies employ an average 120,000 people with an average market cap of $334 billion. The titans of 2011 have twice the the value of their 1964 counterparts with a quarter of the employees.

(via The Atlantic)

I’m not sure why people think the tech industry is a panacea for job creation. Wealth creation? Perhaps. Jobs? Not so much.

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photo 20:12:05
yearoftheglitch:

012 of 366
From a prepared Kodak DC215 1 megapixel digital camera.

’56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.’ — Hugh S. Manon and Daniel Temkin, Notes on Glitch (via)

yearoftheglitch:

012 of 366

From a prepared Kodak DC215 1 megapixel digital camera.

’56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.’ — Hugh S. Manon and Daniel TemkinNotes on Glitch (via)

2012-02-01

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photo 21:21:00
wreckandsalvage:

This will tell you something about my day job.  I now recognize “ums” in waveform.  I don’t need to hear it, I only need to see this shape.  This is the shape of an “um” or an “uh”.
I want to remove it from every ones speech patterns, including mine.

(via notational)

wreckandsalvage:

This will tell you something about my day job.  I now recognize “ums” in waveform.  I don’t need to hear it, I only need to see this shape.  This is the shape of an “um” or an “uh”.

I want to remove it from every ones speech patterns, including mine.

(via notational)

2012-01-31

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photos 21:15:47

theartofgooglebooks:

Printed plate left folded through digitization.

From p.539 of Elements of Technology by Jacob Bigelow (1831).

Glitchy steam engines.

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photo 20:34:06
theartofgooglebooks:

Map left folded through digitization.
From the front matter of Chicago and the Great Conflagration, by Elias Colbert and Everett Chamberlin (1871). [Here]

theartofgooglebooks:

Map left folded through digitization.

From the front matter of Chicago and the Great Conflagration, by Elias Colbert and Everett Chamberlin (1871). [Here]

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photo 20:06:05
theartofgooglebooks:

Card folder reads “Do not remove or mutilate card.” Card removed (and potentially mutilated).
From the back matter of The Windy Hill by Cornelia Meigs (1921). 

theartofgooglebooks:

Card folder reads “Do not remove or mutilate card.” Card removed (and potentially mutilated).

From the back matter of The Windy Hill by Cornelia Meigs (1921). 

2012-01-25

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photo 22:17:06
hammerandcode:

Self-portrait by photographer Paolo Roversi.

Everybody loves an SX-70.

hammerandcode:

Self-portrait by photographer Paolo Roversi.

Everybody loves an SX-70.

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photo 21:28:06
(via visivo)

(via visivo)

2012-01-24

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quote 21:01:18
“ Aren’t Oscarbatory films like The Artist, Hugo, and Midnight in Paris the high brow equivalent of the Transformers, easing the viewer into the same warm nostalgia bath, just with the particulars adjusted to reflect a different audience’s adolescent fixations? Might they even be even more meretricious because they rely on the borrowed auras from the canonical works/figures they reference (Méliès rather than Mégatron) to activate feelings of barely-earned recognition, which somehow invokes in the audience the false spirit of learning, or at very least, the smug satisfaction of the pub trivia warrior? ”

Todd Serencha, via perpetua.

I think this might be a more forceful statement of what I was nudging towards. (I’ve seen all three - but none of the Transformers films - and enjoyed them all, but I still take his point. They just happen to be catering to my tastes.)

Also, I have to remember “Oscarbatory” for next year.

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photo 05:22:08
new-aesthetic:

Is this the structure of New York City? (by Eric Fischer)

Tendrils.

new-aesthetic:

Is this the structure of New York City? (by Eric Fischer)

Tendrils.

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