notes.husk.org. scribblings by Paul Mison.

2012-03-20

2011-03-03

post/3626707947

photo 22:16:00
perpetua:

Here is a complete scan of Yanks Go Home, an article from the defunct British music magazine Select that arguably first defined the Britpop movement. Be sure to check out the interview with Jarvis Cocker in which he says that he does not care for Americans corrupting the Queen’s language and grammar.

This is a defining moment in my musical life. I’m looking forward to more pages from Select being added to the collection of scans.

perpetua:

Here is a complete scan of Yanks Go Home, an article from the defunct British music magazine Select that arguably first defined the Britpop movement. Be sure to check out the interview with Jarvis Cocker in which he says that he does not care for Americans corrupting the Queen’s language and grammar.

This is a defining moment in my musical life. I’m looking forward to more pages from Select being added to the collection of scans.

2009-08-03

post/154854690

video 13:06:33

Mario’s Cafe (on Gary Crowley’s ITV show in the early ’90s?)

2009-07-22

Floating Above The City

text 22:38:00

Six years ago, I saw Finisterre, Saint Etienne’s film about London, at the ICA.

The perverse possibilities of the Barbican. You could be invisible here. You get a notion of floating above the city.
Escape. Escape. Escape.

I’d started getting interested in the highwalks before then, exploring them a little. I’d even take detours to them in lunchtimes and evenings. However, the film (and the album, which preceeded it by a year or so) really helped me to feel that I wasn’t completely odd in liking the place (and the other nooks and crannies of sixties architecture that I seemed to find).

You see, part of the attraction of the highwalks for me was also, ultimately, a part of the reason for their failure. They take effort: to find, to get up to, and to mentally map. I was new to London, though, and I enjoyed the challenge, the maze¹ it presented. Of course, you could always follow the famous yellow line to the Arts Centre, but you could also ignore it, and try going your own way.

For people who actually just want to get to work, this is all unpleasant; effort to expend when the regular streets require you do much less. I can see that, as can Bob Stanley, of Saint Etienne, who ultimately labelled it in an article for the Times in 2004 as a “concrete folly”. Even so, I loved (and still celebrate) my urban-exploration-lite playground in the sky, with the vistas opened up and the cranes looming to the south and east. It made London feel like my city.

(This post is about the City of London Highwalks. You might want to check the introductory post for a list of related stories.)

¹ If I really descend into monomania, I’ll download and play the Spectrum adventure game adaptation of The Fourth Protocol, which I gather has a puzzle sequence which involves finding your way out of the highwalk system.

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