notes.husk.org. scribblings by Paul Mison.

2011-02-03

On Misfits

text 05:16:00

As an introduction and a disclaimer, it’s probably worth mentioning that I first heard about Misfits at work. Six to Start, my then employer, were pitching for the work of being the online companion to a series that I’m pretty sure was described at some point as “Heroes but with ASBOs”. (Minor spoilers for season one follow.)

Like in Heroes, the characters end up with powers (or as Kelly would have it, “powahs”), but unlike heroes, they don’t try and save the cheerleader, let alone save the world. They’re more likely to have to figure out how to deal with the fact they, er, killed their probation worker, or have to deal with how to look after someone old enough to be their grandma. Meanwhile, it turns out their abilities aren’t unrelated to who they are…

Howard Overman’s writing is great, and performed fantastically by the cast. (Mind you, if you’re not happy with swearing, sex references, drinking, sex references, drugs, sex scenes, and Nathan in his pants, you might want to watch something else). The location - the Thamesmead estate in south-east London, as also seen in A Clockwork Orange - is used to wonderful effect. There’s some great cinematography, and even the foreshadowing in the titles is genius.

Of course, it’s full of stuff that would never see the light of day in the US, which is exactly why Americans should download it now and watch it, before any TV executives make too many noises about an (inevitably awful) remake. (British folk should hold out for E4 repeats, or shell out for the DVDs.) Once you’re done, you can join in the happy world of animated gifs and quotes on Tumblr.

Seriously: it’s one of the best new series in the UK in the last couple of years. Go watch.

2010-11-25

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quote 01:06:00
“ Misfits is the greatest bit of British TV in the past 10 years. You will not sway me from this belief. I am a Misfits fundamentalist. In Misfits, writer Howard Overman, has done what Heroes failed to do – created a show with super-powered protagonists and that viewers can actually relate to. He understands the Stan Lee theory of heroism – super-powered characters need to be flawed. We love Spiderman most when Peter Parker’s personal life is in a right state, just as Misfits are appealing because they use their powers as we would i.e. right bloody selfishly. ”

2010-09-09

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photo 15:36:04
The ECKO television, the first British portable television receiver, 1955. Credit:Science Museum/Science & Society Picture Library

The ECKO television, the first British portable television receiver, 1955. Credit:Science Museum/Science & Society Picture Library

2010-08-28

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quote 10:15:00
“ Sky’s marketing budget is larger than the entire programme budget of ITV1. ”
Mark Thompson, BBC Director-General, during the MacTaggart lecture (transcript at The Guardian)

2010-05-20

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quote 12:22:01
“ Tune your television to any channel it doesn’t receive and about 1 percent of the dancing static you see is accounted for by this ancient remnant of the Big Bang. The next time you complain that there is nothing on, remember that you can always watch the birth of the universe. ”

2010-04-25

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quote 13:20:58
“ What TV did best, in this particular context, was to stage the debate: only a broadcast (few-to-many) medium could do that. But where it struggles is in attempting to add value to that broadcast event. ”

John Naughton: Old media, new media and the UK election. The whole piece is worth a read (as, I suspect, is the Peter Preston article he quoted from, which I haven’t read in full).

It’s certainly an interesting counterpoint to the Economist’s piece, quoted here, which claims that the old media are dominant. Perhaps the problem is the millions of overlapping friends networks of discussion aren’t visible, but they surely take what used to be water-cooler discussions between five colleagues in an office and broaden them to a hundred, or even thousand, people - and more immediately, too.

Anyway, I’m sure there’ll still be argument about old vs new well after the result’s in.

2010-04-24

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quote 15:36:37
“ Get Elected, a political-research outfit, has examined 100 tight races, where online campaigning should presumably be fierce. It found that only 45% of the candidates in those races had Twitter accounts. The politicians who used it attracted an average of just 614 followers. The average English constituency contains 70,000 people. ”

Media and politics: The shock of the old in The Economist. The entire article is worth a read: it points out the ways the mass media still reach far more people, particularly older ones, who also vote more.

There were two other articles in the Britain section this week that caught my eye. One is on university students in Chester and elsewhere, and the other looks at how people’s opinions change when the costs of policies are stated. Both are worth a read, but the latter is perhaps the most universally relevant (and will be long after this election has come and gone).

2010-04-13

Free The Election Debates

text 17:08:24

This year’s UK general election sees the first televised debates between the leaders, bringing politics firmly up to date with the US. In 1960.

However, I think it’s worth asking about the step beyond that. Of the three debates, I can be pretty sure two of them - on ITV and BBC - will end up on their respective catch-up video services. However, I’d like all of them to be on all three broadcaster’s sites, and also on other video sites (the obvious choice being YouTube).

After all, these are really public service broadcasting. If the broadcasters don’t put the shows online, the public will, clip by clip (probably as part of a Cassetteboy remix). They should be preserved, not only as reference points during the campaign, but into the life of the government the victors will establish. There are also overseas voters to consider. How about it?

(Even if this plea falls on deaf ears, I’m pleased to note that Radio 4 has an extended The World Tonight covering each of the debates, if only because it’s pretty easy to get MP3s out of radio programmes.)

2010-03-08

Licence Fees Across Europe

text 11:26:00

After reading one too many commentary pieces on the fall-out of the BBC’s Digital Strategy Review, and hearing the odd friend suggest that the British didn’t know how good they had it, I decided to complile a Google spreadsheet of TV licence fees across Europe.

Once I had a first version out, Chris suggested that I should add a column stating whether there was an ad-free state broadcaster, and that’s there now; there’s also a heatmap visualisation.

Unfortunately, the GBP Equivalent column seems a bit fragile- Google Finance hiccups every now and again and it doesn’t work. Publishing also seems not to allow nice formatting (‘£145.20’ not ‘145.2’), so I’m linking directly to the editing page. Still, hopefully there’s stuff of interest for people there.

2010-01-25

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photo 16:33:00
Pomp and Circuitry: a Reuters photo I saw on the Telegraph’s story, “Record 10m televisions sold in UK in 2009”.

Pomp and Circuitry: a Reuters photo I saw on the Telegraph’s story, “Record 10m televisions sold in UK in 2009”.

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